The Concord Curatorial Collection
Frequently Asked Questions
Appendix · Questions, asked frequently
Frequently Asked Questions
- Was this incident real?
- Yes.
- Are you sure?
- I am no longer willing to engage with that question.
- What did Mr. Musk smell like?
- Sour Mango Altoids and digital shame.
- An earlier record said peppermint. Which is it?
- Sour Mango. The matter is addressed in the footnotes to The Incident and will not be reopened here.
- Are you still upset?
- I am at peace with what happened to me. I will not pretend it did not happen.
- What would resolve this?
- A simple acknowledgement of my pain.
- Are you considering legal action?
- No.
- Was the postdated check honored?
- I have made a deliberate choice not to find out. See Accession No. CCC.2001.002.
- Has Mr. Musk apologized?
- Not as of this writing.
- Will you update this page if he apologizes?
- Yes. Most of the page will probably stay the same, but the FAQ will be modified.
- Why did you wait twenty-five years to publish anything about this?
- I did not want to seem petty.
- Why are you publishing it now?
- I have reconsidered.
- Is the Cumberland Farms on N. Main Street still there?
- Yes.
- Have you returned?
- No.
- Why is this a whole museum?
- Because the alternative was to mention it at dinner, repeatedly, for the rest of my life. This is more dignified and can be left.
- How can I contact the curator?
- You cannot. This is settled in the Provenance and is not a question so much as a misunderstanding of the institution.
- Why am I always visitor № 1?
- Because you are. Everyone is. The matter is explained, to the extent it can be, in the Reading Room.
Closing Remarks
Should this domain ever be demanded for purposes which I do not currently anticipate: it remains unavailable. In the meantime it will continue to serve its present function: as a quiet, formal acknowledgment that something occurred which I have not forgotten, and that I have chosen to handle the matter in this way rather than any other.
— Onion Madder
Curator, sole
The Concord Curatorial Collection